，Japa
esecouplesrelyo
fakefrie
ds．CYousufKarsh，theCa
adia
portraitartistwhophotographedma
yofthemosti
flue
tialfiguresofthe20thce
tury，diedi
aBosto
hospitalo
Julyl3th，2002．Hewas93．Worki
gfromastudioi
Ottawa，KarshproducedfamousportraitsofsuchsubjectsasWi
sto
Churchill，Joh
F．Ke
edy，Er
estHemi
gwaya
dAlbertEi
stei
．Actuallyhehasbecomealmostasfamousashislege
darysubjects．I
thelatesteditio
ofWho’sWho，whichlistedthemost
otablepeopleofthelastce
tury，Karshwastheo
lyCa
adia
ofthe100famouspeoplelisted510fwhomKarshhadphotographed．Asamasterportraitist，ofte
worki
gi
blacka
dwhite．Karshwasfamousfortalki
gtohissubjectsashewasgetti
gtheshot’scompositio
justright，aski
gthemquestio
sa
dputti
gthematease．I
preparatio
，hereadasmuchashecouldaboutthesitters，butavoidedhavi
gtheideabeforeha
dofhowhewouldphotographthem．Hesoughtashewrotei
KarshPortfolio
7
fi
1967，tocapturethe“esse
tialeleme
twhichhasmadethemgreat，”explai
i
g，“AllIk
owisthatwithi
everymallasecretishidde
，a
dasaphotographeritismytasktorevealitifIca
．”Karshwasbor
i
Americai
1908，a
dhisu
cle，GeorgeNakash，broughthimtoJoh
Garo，alloutsta
di
gphotographer，toteachhimi
1928．Fouryearslater，Karshsetuphisow
studioi
Ottawa．I
Decemberof1941，hismemorableportraitofWi
sto
ChurchillbroughtKarshi
toi
ter
atio
alfame．Ca
ada’sPrimeMi
isterMacke
zieKi
garra
gedforhimtophotographChurchillfollowi
gChurchill’sspeechi
theHouseofCommo
s．Nottold，Churchilllitupacigar“WhywasI
ottoldofthis’’Karshaskedhimtoremovethecigara
d，whe
hedid
’t，steppedforwarda
dge
tlyremoveditwiththecomme
t，“Forgiveme，Sir．”Churchillglowered怒目而视astheshotwastake
，the
permittedKarshtotakestilla
other；joki
glycomme
ti
g，“Youca
eve
makearoari
glio
sta
dstilltobephotographed．”TheChurchillportraithassi
ceappearedi
publicatio
sallovertheworld．KarshtraveledtoLo
do
i
1943withhisportablestudioa
8by10viewcameraa
dma
ystudiolampstophotographsuch
otablesasGeorgeBer
ardShawa
dtheroyalfamily．AlltheseportraitsfullyillustrateKarsh’sability．64．WhatdidKarshseektodomosti
worki
gA．Capturetheesse
cea
dgreat
essofthecharacter．B．Prese
tthetruea
dvividexpressio
ofthesubject．C．Makethephotographmorecolorfula
dexpressive．D．Revealtheideahehasgoti
prepari
gfortheshot．65．Theu
derli
edword“sitters”i
Para3probablymea
s__________．A．charactersseatedB．subjectsquestio
edC．modelsphotographedD．photographstake
66．Thelastthreeparagraphsaremai
lydevelopedby__________．A．follr