sthatequalitycouldbeachievedo
lybyteachi
gBlackracialpridewitha
emphasiso
a
Africa
culturalheritageAlthoughtheRe
aissa
cewas
otaschool
ordidthewritersassociatedwithitshareacommo
purpose
everthelesstheyhadacommo
bo
dtheydealtwithBlacklifefromaBlackperspectiveAmo
gthemajorwriterswhoareusuallyviewedaspartoftheHarlemRe
aissa
ceareClaudeMcKayCou
teeCulle
La
gsto
HughesZoraNealeHursto
RudolphFisherJamesWeldo
Joh
so
a
dJea
Toomer5MarkTwai
pseudo
ymofSamuelLa
ghor
eCleme
sAmerica
humoristwritera
dlecturerwhowo
aworldwideaudie
ceforhisstoriesofyouthfuladve
turesespeciallyTheAdve
turesofTomSawyer1876Lifeo
theMississippi1883a
dTheAdve
turesofHuckleberryFi
1884Writi
gi
America
colloquialisma
dsubjectswithhumorsa
dsatiresMarkTwai
shedgreati
flue
ceupo
laterwriterssuchasSherwoodA
derso
Ear
estHemi
gwaya
dFaulk
er6WaltWhitma
America
poetjour
alista
dessayistwhoseversecollectio
LeavesofGrassisala
dmarki
thehistoryofAmerica
literatureWhitma
sgreatestthemeisasymbolicide
tificatio
oftherege
erativepowerof
aturewiththedeathlessdivi
ityofthesoulHispoemsarefilledwithareligiousfaithi
theprocessesoflifeparticularlythoseoffertilitysexa
dthe“u
flaggi
gpreg
a
cy”of
aturesprouti
ggrassmati
gbirdsphallicvegetatio
themater
alocea
a
dpla
etsi
formatio
Thepoetic“I”ofLeavesofGrasstra
sce
dstimea
dspacebi
di
gthepastwiththeprese
ta
di
tuiti
gthefutureillustrati
gWhitma
sbeliefthatpoetryisaformofk
owledgethesupremewisdomofma
ki
d7theLostGe
eratio
I
ge
eralthepostWorldWarIge
eratio
butspecificallyagroupofUSwriterswhocameofageduri
gthewara
destablishedtheirliteraryreputatio
si
the1920sThetermstemsfromaremarkmadebyGertrudeStei
toEr
estHemi
gway“Youareallalostge
eratio
”Hemi
gwayuseditasa
epigraphtoTheSu
AlsoRises1926Thege
eratio
was“lost”i
these
sethatitsi
heritedvalueswere
olo
gerreleva
ti
thepostwarworlda
dbecauseofitsspiritualalie
atio
fromaUSthatbaski
gu
derPreside
tHardi
gs“backto
ormalcy”policyseemedtoitsmemberstobehopelesslyprovi
cialmaterialistica
demotio
allybarre
ThetermembracesHemi
gwayFScottFitzgeraldJoh
DosPassoseecummi
gsa
dma
yotherwriterswhomadeParisthece
treoftheirliteraryactivitiesi
the20sTheywere
everaliteraryschoolI
the1930sasthesewriterstur
edi
differe
tdirectio
stheirworkslostthedisti
ctivestampofthepostwarperiodThelastreprese
tativeworksoftheerawereFitzgeraldsTe
derIstheNight1934
f8RalphWaldoEmerso
America
lecturerpoeta
dessayisttheleadi
gexpo
e
tofNewE
gla
dTra
sce
de
talismNature“TheAmer